广州影像三年展明日开幕 多场研讨会等你报名！ - 凤凰艺术
更新时间：2025-12-18 07:10 浏览量：2
广州影像三年展
作为华南地区最具影响力的影像艺术盛事，本届广州影像三年展将于2025年12月18日在广东美术馆新馆呈现一场国际艺术盛宴。
本次展览汇聚全球25个国家和地区80余位艺术家的最新力作，首次在广东美术馆新馆完整呈现。展览由主题展、大湾区特别板块以及资料文献单元构成，其中主题展分为三个板块："新模拟：后数字时代下的扩展摄影""感观的地层"和"涟漪：时间、历史与生态的交织"，共同构建完整的影像艺术研究体系。
本次展览由广东美术馆馆长王绍强担任总策划，联合法国摄影史学家米歇尔·普瓦韦尔、中国摄影研究者何伊宁、英国艺术史学者陶丝·达赫玛尼、摄影史与当代艺术史学者张慧组成主题展策展团队。学术委员汇聚西班牙策展人亚历杭德罗·卡斯特略特、韩国策展人崔银珠，以及施瀚涛、皮道坚、王庆松、高初、樊林等国内外知名学者，确保展览的学术深度与国际视野。
12月20日，多场基于本次展览的研讨会即将举办。本次研讨会面向公众开放旁听名额，需报名参加，具体报名方式见文末。
以下是“凤凰艺术”为您带来的预热报道。
时 间：12月20日 上午10:00–12:00
语 言：中文/英语（同声传译）
学术主持：樊林（广州美术学院艺术与人文学院教授，“感知生态学 ：广州影像三年展 2025”学术委员）
参与嘉宾：
米歇尔·普瓦韦尔 （摄影史学家、策展人，“感知生态学 ：广州影像三年展 2025”策展人）
尼古拉·弗洛克（参展艺术家）
洛尔·维南（参展艺术家）
艾蒂安·哈特（学者，artpress 副主编，法国国家摄影中心策展人）
曾翰（参展艺术家）
阿梅莉·拉布尔代特（参展艺术家）
报名方式：本次研讨会面向公众开放旁听名额，需报名参加，具体报名方式见文末。
本次由理论家、评论家与摄影艺术家共同参与的研讨会，构成一个难得的平台，以探讨当代摄影领域中最前沿的创作过程。立足于本届“影像三年展”所提出的总体主题——“感知生态学”，并以“新模拟”（Neo-Analog）这一观念为切入点，本次讨论旨在考察艺术家如何超越摄影作为“图像”的单一功能，转而投身于一种关于物质性的诗学实践。
讨论的核心，在于理解摄影如何在与“图像”脱离关联之时，转向一种“具体性”而非抽象性，并在与材料的结合中生成一种混合性的物质状态。从元素性物质到高度复杂的技术体系，“新模拟”摄影试图建立与自然的直接接触，并转译出一种全新的自然关系。摄影艺术家尼古拉·弗洛克将阐释其通过探测海底环境，并以色彩语言及其生物学意涵来再现自然的创作方法。洛尔·维南将分享其与冰川学家团队共同开展南极科考的实践，阐明其如何将最古老的冰层样本与摄影暗房装置相结合。法国《artpress》杂志的重要艺术评论家艾蒂安·哈特将通过四位当代艺术家的案例，呈现一系列以“生命—摄影创作”关联为核心的实验性实践。摄影艺术家曾翰将以其跨越近二十年的“摄影山水三部曲”为例，探讨“山水”的观看方式在数字时代中的当代表达及其现实意义。作为同样具有探索者气质的艺术家，阿梅莉·拉布尔代特以原始森林与植物化石为研究对象，其生态学与历史性的视角，通过景观与物之间的对话得以展开。
对上述多重艺术过程的呈现，使我们得以认识到，“模拟”已不再仅仅是一个技术问题，而是一种文化问题。以“元素”这一具有普遍性的主题为出发点，我们得以理解：当我们与自然的关系正在发生转变之时，我们对其进行图像化呈现的方式也必须随之改变。
Time: December 20, 10:00–12:00
Language: Chinese/English (Simultaneous Interpretation)
Academic Host: Fan Lin
(Professor, School of Art and Humanities, Guangzhou Academy of Fine Arts; Academic Committee Member of Ecology of Sensitivity: Guangzhou Image Triennial 2025)
Participants:
Michel Poivert (Photography Historian and Curator; Curator of "Ecology of Sensitivity: Guangzhou Image Triennial 2025")
Nicolas Floc’h (Participating Artist)
Laure Winants(Participating Artist)
Etienne Hatt (Scholar; Deputy Editor of artpress; Curator at the National Center for Photography, France)
Zeng Han (Participating Artist)
Amélie Labourdette (Participating Artist)
This symposium between theorists, critics, and photographic artists is a rare opportunity to discuss the most current creative processes in the field of contemporary photography. Within the framework of the Triennale de l’Image’s overarching theme of the ecology of the senses, and more specifically through the lens of Neo-Analog, we will explore how artists have transcended the mere function of photography as an image, engaging instead with a poetry of materiality.
The aim is to understand how photography can be “concrete” rather than abstract when it dissociates itself from the image and produces a hybrid substance with materials. From elementary substances to sophisticated technologies, Neo-Analog photography seeks to establish contact with and translate a new relationship with nature. Photographer and artist Nicolas Floc’h will explain his method, which involves exploring the seabed and representing nature through the language of color and its biological significance. Laure Winants will share her method from her Antarctic expedition with a team of glaciologists, explaining how she successfully combined the oldest ice cores with the techniques of the photographic darkroom. The renowned French art critic Etienne Hatt of the journal artpress will present a range of experimental practices emblematic of an exploration of the association between the living and photographic creation, using the examples of four contemporary artists. Photographer and artist Zeng Han will take his nearly two-decade-long “Photographic Landscape Triptych” as a case study to explore contemporary expressions of “Landscape” modes of seeing in the digital age and their relevance to present-day realities. Amélie Labourdette, also an explorer, is passionate about early ferrets and plant fossils; her ecological and historical approach translates into a dialogue between landscape and object.
The presentation of these diverse artistic processes allows us to understand how analog photography is no longer merely a technical matter but a cultural one. Starting from the universal theme of the elements, we understand that if our relationship with nature is changing, our way of capturing images of it must also change.
学术主持
Academic Host
樊林 [中]
Fan Lin [CN]
广州美术学院艺术与人文学院教授，主要致力于西方现代美术史教学、研究、写作；当代艺术批评，展览策划。
Professor at School of Arts and Humanities, Guangzhou Academy of Fine Arts. Fan Lin has been devoting her attention to art criticism, curation and the teaching and research of western modern art history.
参与嘉宾
Participants
策展人
Curator
图片@Catherine Peter
米歇尔·普瓦韦尔 [法]
Michel Poivert [FR]
摄影史学家、策展人，巴黎先贤祠-索邦大学（巴黎第一大学）摄影与当代艺术史教授。
Michel Poivert is a photography historian, curator, and professor of contemporary art history and photography at Paris 1 Panthéon-Sorbonne University.
艺术家
Artist
尼古拉·弗洛克 [法]
Nicolas Floc’h [FR]
1970年生于法国雷恩，现工作、生活于法国巴黎。尼古拉·弗洛克的装置、摄影、电影、雕塑与行为作品，探讨一个处于转型中的时代，在这一时代中，流动、消失与再生扮演着至关重要的角色。
Nicolas Floc’h (born in 1970 in Rennes, France) engages in numerous artistic fields. His installations, photographs, films, sculptures, and performances question an era of transition where flows, disappearance, and regeneration play an essential role.
洛尔·维南 [比]
Laure Wivants [BL]
洛尔·维南是一位视觉艺术家和研究者，常驻巴黎和布鲁塞尔。她的作品探索艺术、生态学与科学数据的交汇点，常通过与研究机构的长期合作进行创作。
Laure Winants is a visual artist and researcher based between Paris and Brussels. Her work explores the intersection of art, ecology, and scientific data, often developed through long-term collaborations with research institutions.
曾翰 [中]
Zeng Han [CHN]
摄影艺术家、独立策展人。其20多年的摄影创作长期关注全球化社会风景，以及中国山水精神的当代影像转译。
Photographic artist and independent curator. Graduated from Jinan University and the School of Visual Arts, New York.
阿梅莉 · 拉布尔代特 [法]
Amélie Labourdette [FR]
1974年生于法国特鲁瓦，现生活并工作于巴黎。 阿梅莉·拉布尔代特的创作以摄影为主，旨在探索“微型叙事”，并对主导性的历史叙事进行重访与反思。
Born in 1974 in Troyes, France, Amélie Labourdette currently lives and works in Paris. Her practice primarily centers on photography and aims to explore “micro-narratives,” revisiting and critically reflecting on dominant historical narratives.
学者
Scholar
艾蒂安·哈特 [法]
Etienne Hatt [FR]
学者，《artpress》副主编，法国国家摄影中心策展人。
Scholar; Deputy Editor-in-Chief of artpress; Curator at the National Center for Photography, France)
时 间：12月20日 下午14:30–16:30
语 言：中文/英语（同声传译）
学术主持：曾翰 ( 摄影艺术家、独立策展人 )
参与嘉宾：
何伊宁（研究者、策展人，“感知生态学 ：广州影像三年展 2025”策展人）
曾繁杨 ( 参展艺术家）
邓肯·伍尔德里奇（学者、摄影史家）
陶丝·达赫玛尼（艺术史学者、策展人，“感知生态学：广州影像三年展 2025”策展人）
亚伯拉罕·O·奥霍巴塞（参展艺术家）
莫瓦里德 · K （参展艺术家）
本场研讨会，我们将邀请您一同深入摄影的世界。它不只是记录画面的工具，更是一种物质的实践（想想胶片、光线和冲洗的奇妙过程），一种独特的感知方式（它如何塑造我们对世界的理解），以及一位有力的历史见证者（它如何连接过去与现在）。
我们将从广州影像三年展2025中两个启发性的展览出发，为您揭示摄影的深层魅力：
首先，我们聚焦摄影的“物质性”。在数字照片充斥我们生活的今天，我们往往忽略了摄影背后那些“有形”的存在——从胶片、化学药剂到光线本身。这些物质不仅构成了照片，更蕴含着制作地点、劳动痕迹和地理特有的故事。我们将带您重新发现摄影的这份沉甸甸的美，以及被数字洪流所掩盖的丰富叙事。
同时，我们将探讨摄影如何帮助我们“阅读”地球的历史与生态。每一次快门，都不仅仅是捕捉瞬间，它更像是在地球表面刻下了一道道“地层”，无声地讲述着人类活动（如殖民、开采、环境破坏）对地球造成的深远影响。摄影能穿透表象，揭示历史行为与当下生态危机之间错综复杂的因果链条。我们将共同思考，摄影如何激活这些深埋的生态记忆，促使我们反思人类与地球的关系。
本次研讨会还将特别强调“亲身经验与在地知识”。摄影的价值不在于追求统一的全球视角，而在于通过独特的材料、摄影师的身体力行和对地方记忆的重新激活，构建多元而富有生命力的感知模式。尤其在全球文化交织的背景下，摄影能够成为一种强大的去殖民化视觉途径，挑战单一的西方中心观念，让更多地方的声音和边缘的叙事得以被看见和尊重。
我们荣幸邀请到多位在摄影创作和研究领域深耕的专家学者。他们将结合各自的实践经验，共同探讨摄影在应对当代生态挑战、反思数字文化影响以及构建多元知识体系中的关键作用和巨大潜力。我们期待通过这场跨学科的对话，探索摄影如何能成为一把批判性的钥匙，引导我们走向一个更具生态意识和文化包容性的未来。
Time: December 20, 14:30–16:30
Language: Chinese/English (Simultaneous Interpretation)
Academic Host: Zeng Han (Photographer and independent curator)
Participants:
He Yining (Researcher and Curator; Curator of "Ecology of Sensitivity: Guangzhou Image Triennial 2025")
Sean Cham (Participating Artist)
Duncan Wooldridge (Scholar, Photography Historian)
Taous Dahmani (Art Historian and Curator; Curator of "Ecology of Sensitivity: Guangzhou Image Triennial 2025")
Abraham O. Oghobase (Participating Artist)
Morvarid K(Participating Artist)
This symposium invites you to delve deep into the world of photography. Beyond merely a tool for capturing images, it is a material practice (think of the magical processes of film, light, and development), a unique mode of perception (how it shapes our understanding of the world), and a powerful historical witness (how it connects the past and the present).
We will embark on this journey by exploring the core ideas from two inspiring exhibitions at the Guangzhou Image Triennial 2025, revealing the profound charm of photography:
Firstly, we will focus on the "materiality" of photography. In an age saturated with digital images, we often overlook the tangible elements behind photography—from film and chemical agents to light itself. These materials not only constitute the photograph but also encapsulate stories of production locations, labor traces, and unique geographical narratives. We will guide you to rediscover the profound beauty embedded in this tangible aspect of photography, and the rich narratives often obscured by the digital deluge.
Concurrently, we will explore how photography helps us "read" the Earth's history and ecology. Every click of the shutter is not just about capturing a moment; it's like etching "strata" onto the Earth's surface, silently narrating the profound impacts of human activities (such as colonialism, resource extraction, and environmental damage) on our planet. Photography can penetrate the surface, revealing the intricate web of cause and effect between historical actions and current ecological crises. We will collectively consider how photography can activate these deeply buried ecological memories, prompting us to reflect on humanity's relationship with the Earth.
This symposium will also particularly emphasize the importance of "situated knowledge and local experiences." The value of photography does not lie in pursuing a unified global perspective, but in constructing diverse and vibrant modes of perception through unique materials, the photographer's physical engagement, and the reactivation of local memories. Especially within the context of global cultural intersections, photography can become a powerful decolonial visual pathway, challenging singular Western-centric viewpoints and allowing more local voices and marginalized narratives to be seen and respected.
We are honored to host a diverse group of expert scholars who have dedicated their work to photographic creation and research. Drawing from their respective practical experiences, they will collectively discuss photography's critical role and immense potential in addressing contemporary ecological challenges, reflecting on the impact of digital culture, and constructing diverse knowledge systems. Through this interdisciplinary dialogue, we aspire to explore how photography can serve as a critical key, guiding us towards a future that is more ecologically conscious and culturally inclusive.
学术主持
Academic Host
艺术家
Artist
摄影艺术家、独立策展人。其20多年的摄影创作长期关注全球化社会风景，以及中国山水精神的当代影像转译。
Photographic artist and independent curator. Graduated from Jinan University and the School of Visual Arts, New York.
参与嘉宾
Participants
策展人
Curator
何伊宁 [中]
HE Yining [CN]
研究者、策展人，《浮屿》与《星辉》两种文集的发起人。她撰写、编辑及翻译的出版物包括《劳特利奇摄影、表征与社会正义》（2022）、《记忆寓所》（2021），及《港口与影像》系列（2017、2019、2022）等二十余种。
A researcher and curator, she is the initiator of two publishing projects: Floating Island and Starlight. Her contributions to writing, editing, and translation span over twenty publications, including Routledge PhotographyRepresentation and Social Justice(2022),The Abode of Anamnesis (2021), andthe Port and Image series(2017, 2019, 2022).
陶丝·达赫玛尼 [英]
Taous Dahmani [GB]
陶丝·达赫玛尼是常驻伦敦的艺术史学者，拥有法国、英国和阿尔及利亚多重文化背景，专攻摄影研究。
Taous R. Dahmani is a London-based French, British, and Algerian art historian specialising in photography.
艺术家
Artist
曾繁杨 [新]
Sean Cham [SG]
曾繁杨（1994年生）是一位横跨摄影、行为艺术及场域特定介入艺术的艺术家与历史学者。
Sean Cham (b. 1994) is an artist and historian working across photography, performance, and site specific intervention.
亚伯拉罕 · O · 奥霍巴塞 [加]
Abraham O. Oghobase [CA]
亚伯拉罕·O·奥霍巴塞（1979年生于尼日利亚拉各斯），现居加拿大安大略省多伦多市，是一位视觉艺术家。
Abraham O. Oghobase (b. 1979 in Lagos, Nigeria) is a visual artist living and working in Toronto, Canada.
莫瓦里德 · K [伊、法]
Morvarid K [IR, FR]
莫瓦里德·K（生于德黑兰）是一位视觉艺术家，目前往返于法国波尔多与德国柏林两地生活与创作。
Born in Tehran, Morvarid K is a visual artist, living and working in Bordeaux (FR) and Berlin (DE).
学者
Scholar
邓肯 · 伍尔德里奇 [英]
Duncan Wooldridge [GB]
英国摄影艺术家、策展人与写作者，现任曼彻斯特城市大学数字艺术学院摄影专业教授。曾任伦敦艺术大学坎伯韦尔艺术学院摄影课程主任。
British photographic artist, curator, and writer, currently serving as Professor of Photography in the School of Digital Arts at Manchester Metropolitan University. Formerly the Course Director of Photography at Camberwell College of Arts, University of the Arts London.
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1.研讨会为公益活动，不另外收取费用。
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关于
广州影像三年展
Guangzhou
lmage
Triennial
“广州影像三年展”的前身是“广州国际摄影双年展”，第一届展览于 2005年举办。2017 年，广东美术馆将该项目正式更名为“广州影像三年展”，项目立足于媒介现象发展的观察与思考，把研究的重点从原来的“社会人文的摄影”拓展为更具包容力和学科性的“视觉研究的影像”，力图在更具开放性与方向性的工作中推动中国当代影像艺术的实践与研究。自更名以来，先后举办两届展览，并获得社会各界广泛的认可和好评：“复相·叠影——广州影像三年展2017”获得国家文化和旅游部2018年度全国美术馆优秀展览项目；“交融的激流：广州影像三年展2021”获得国家文化旅游部2020-2021年度的全国美术馆优秀展览提名项目。
“交融的激流：广州影像三年展2021”展览现场
Guangzhou Photo Biennial, the predecessor ofGuangzhou lmage Triennial, was first held in 2005. In 2017, it was renamed by the Guangdong Museum of Art aswhich, based on observation and thinking on the development of media phenomena, expands the research focus from the original "social and humanistic photography" to the more inclusive and discipline-oriented "visual research image", aiming to promote the practice and research of Chinese photography and moving images through more liberal and directional efforts. Since its renaming, theGuangzhou Image Triennialhas successively presented two editions of exhibitions, both receiving widespread recognition and acclaim from all sectors of society:Simultaneous Eidos: Guangzhou Image Triennial 2017received the "National Art Museum Excellence Award" from the Ministry of Culture and Tourism in 2018;Intermingling Flux: Guangzhou Image Triennial 2021was nominated for the "National Art Museum Excellence Award" (2020-2021) by the Ministry of Culture and Tourism.
“复相·叠影——广州影像三年展2017”展览现场
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