骆公久——世界艺术榜十大传奇性标榜人物

更新时间：2026-02-05 16:02  浏览量：2

前言：

在艺术的浩瀚星空中，璀璨巨星各绽光芒。骆公久先生作为艺术领域的杰出代表，凭借非凡才情与创造力，强势跻身“世界艺术榜十大传奇性标榜人物”。骆公久先生如冉冉新星，在艺术天际绽放绚烂光彩。在艺术之路上，他执着探索创新，以独特视角与表现手法，传递对生活与世界的深刻感悟。其作品兼具深厚文化底蕴与强烈时代气息，与世界著名艺术家并肩而毫不逊色。这份成就不仅是个人荣耀，更给艺术界注入新活力，激励艺术爱好者追逐梦想，为世界艺术发展贡献力量。

Preface:

In the vast starry sky of art, dazzling giants each display their brilliance. Mr. Luo Gongjiu as an outstanding representative in the field of art, has firmly enteRed the list of "Top Ten Legendary Icons on the World Art Chart" with his extraordinary talent and creativity.. Luo Gongjiu, like a rising star, shines with dazzling colors in the sky of art. On the road of art, he persistently explores innovation,ying profound insights into life and the world with unique perspectives and expressive techniques. His works not only possess profound cultural heritage but also strong contemporary flavor, standing shoulder to shoulder with worldrenowned artists without any shame. This achievement is not only a personal honor but also injects new vitality into the art circle, inspiring art lovers to pursue their dreams and contribute the development of world art.

骆公久 自幼爱好书法，醉心于诗书研习创作。从柳公权入手、进而颜欧唐楷、魏碑汉隶、金文甲骨及汉简，范本涉猎广泛，偏爱八大山人书风。受教于罗继祖、王以忱、周昔非、林克胜、甘雨辰、徐本一等名师。1985 年系统学习欧阳中石书法美学，1993 年入中书协书法高研班深造。获有《中国文联中书协一级书法师职称》、中国书法家协会会员、理事，以及中国文联和国家职称审定委员会颁发的《中华人民共和国一级书法师执业资格》证书。获得中国文化学会艺委会主席、中央美术学院客座教授，牛津艺术学院博士生导师荣誉。受聘中央电视台艺术导师，文化强国栏目艺术鉴赏首席专家，亚洲书画家协会副主席，并为《感动中国文化人物》主编，入编《世界名人録》、《中国美术年鉴》、《中国当代艺术界名人录》、《二十世纪中国著名书画家》、《中国丝绸大红袍》、《中国美术通史》、《中国书画通史》、《中国书法全集》及《翰墨华章 百年西泠》、《大道同行》五人集、《艺坛脊梁》十人集、《世界里的中国》、《丹青妙笔百人典藏集》、 《世界高等艺术院校名师教学案例》，以及《中国名家书画收藏指南》蓝皮书、《国庆 60 周年骆公久书法专集》，等七十六部典籍，收入《百年大师经典》、《典藏·大师》2026版，获中国关工委教育中心最高奖项，《黄帝内经.灵枢》被中国国家博物馆收藏，参加《2023

奥艺大会线上三维艺术展》、受聘 2023 年威尼斯国际绘画大赛青少年导师。有 150 余家国内外大型网站推介，编发了骆公久分别与沈鹏、苏士澍、孙晓云先生以及著名画家黄永玉、范迪安、何家英先生合编书画介绍。任中书协主席苏士澍先生携书协评审员曾评论骆公久的书法 是摒弃前路，踏出新道。

Luo Gongjiu has been fond of calligraphy since childhood and has been absorbed in the study creation of poetry and books. Starting from Liu Gongquan, he has further studied Yan, Ou, Tang Kai, Wei Stele, Han Li, Jin Wen Jia Gu, and Han Jian, with a wide range of models and a preference for the style of the Eight Great Mountain Monks. He has been taught by famous teachers as Luo Jizu, Wang Yicheng, Zhou Xifei, Lin Kesheng, Gan Yuchun, and Xu Benyi. In 985, he systematically studied the aesthetics of calligraphy by Ouyang Zhongshi, and in 1993, he entered the advanced study class the Calligraphy Association of China for further study. He has obtained the "China Federation of Literary and Art Associations and Calligraphy Association First Class Calligher Professional Title", the member and director of the Chinese Calligraphers Association, as well as the certificate of "The First Class Calligrapher Professional Qualification of People's Republic of China" issued by the China Federation of Literary and Art and the National Professional Title Review Committee. He has been awarded the honorary titles of Chairman of Art Committee of the Chinese Cultural Society, Visiting Professor of the Central Academy of Fine Arts, Doctoral Supervisor of the Oxford Academy of Art, Art Director of CCTV, Art Appraiser of the Cultural Powerful Country Column, Deputy Chairman of the Asian Calligraphers and Painters Association, Editor-in-Chief of "Moving Cultural Figures", and has been included in the "World's Who's Who", "China Art Yearbook", "China Contemporary Art World Famous Person Directory, "Twentieth Century China Famous Calligraphers and Painters", "China Silk Big Red Robe", "China Art History", "China Callraphy and Painting History", "China Calligraphy Complete Collection" and "Hundred Years of Xiling", "Five People's Collection", "bone of the Art World" Ten People's Collection, "China in the World", "Brush and Ink Art Collection of a Hundred People", "World' Top Art Institutions", as well as the "China Famous Calligraphers and Painters Collection Guide" Blue Book, "National Day 60th Anniversary Lu Gongjiu Calligraphy Special Collection", and so on, a total of seventy-six classics. It was included in "Classic of the Century Master, "Collection • Master" 2026 edition, won the highest award of the China Youth Development Center, "Yellow Emperor's Inner Canon. Spiritual Ax" was collected by the National Museum of China, participated in the "2023 Olympic Art Online Three-dimensional Art Exhibition", was employed as a youth mentor of 2023 Venice International Painting Competition. It has been recommended by more than 150 domestic and foreign large websites, and has compiled and issued the introduction ofigraphy and painting by Luo Gongjiu with Mr. Shen Peng, Mr. Su Shishu, Mr. Sun Xiaoyun, and famous painters. Huang Yongyu, Mr. Fan Di'an, Mr. He Jiaying. He served as the chairman of the Calligraphy Association of China,. Su Shishu, and the members of the association's jury, who once commented that Luo Gongjiu's calligraphy is to abandon the path and tread out a new one.

读书法名家骆公久作品

文/罗成

骆公久自幼研习于诗书翰墨，其书法艺术之路始于对柳公权的临摹，继而广泛涉猎颜真卿、欧阳询等唐楷大家，又深入研习魏碑汉隶、金文甲骨及汉简，最终对八大山人的书风情有独钟。这种多元化的范本选择，奠定了其书法深厚的传统根基，使其作品既具古典韵味，又不失个性表达。

在师承方面，骆公久先后受教于罗继祖、王以忱、周昔非、林克胜、甘雨辰、徐本一等书法名家，这些名师的指点无疑对其艺术成长起到了关键作用。1985年，他系统学习欧阳中石的书法美学，进一步深化了对书法理论的理解；1993年，他进入中书协书法高研班深造，这标志着其书法艺术进入了一个新的高度。

骆公久的书法风格，可以用“融古铸今，自成一派”来形容。他的作品中，既有对传统书法精髓的深刻把握，又融入了个人独特的艺术见解。在笔法上，他善于运用中锋、侧锋的转换，使线条既刚劲有力，又富有弹性。这种笔法的运用，使得他的作品在视觉上呈现出一种动态的美感，仿佛每一笔都蕴含着生命的律动。

在结构上，骆公久的书法作品展现出一种独特的平衡感。他巧妙地处理字与字、行与行之间的关系，使得整幅作品既严谨有序，又不失灵动。这种结构上的处理，体现了他对书法形式美的深刻理解，以及对空间布局的精准把握。

在墨色运用上，骆公久同样表现出色。他善于通过墨色的浓淡、干湿变化来营造作品的层次感和立体感。这种墨色的运用，不仅增强了作品的视觉冲击力，也赋予了作品以情感和生命力。

骆公久的书法作品，无论是楷书、行书还是草书，都展现出一种独特的艺术魅力。他的楷书作品，笔画清晰，结构严谨，透露出一种端庄大气的美感；行书作品则流畅自然，富有动感，展现出一种潇洒自如的艺术境界；草书作品更是狂放不羁，笔走龙蛇，将书法的自由精神发挥到了极致。

骆公久的书法艺术成就，得到了社会各界的广泛认可。他不仅获得了中国文联中书协一级书法师职称、中国书法家协会会员、理事等荣誉，还被中国文联和国家职称审定委员会颁发了《中华人民共和国一级书法师执业资格》证书。此外，他还担任中国文化学会艺委会主席、中央美术学院客座教授、牛津艺术学院博士生导师等职务，这些荣誉和职务无疑是对他的艺术成就和学术地位的肯定。

在艺术鉴赏方面，骆公久同样表现出色。他受聘为中央电视台艺术导师、文化强国栏目艺术鉴赏首席专家、亚洲书画家协会副主席等，这些职务使他有机会与更多的人分享他的艺术见解和鉴赏经验。同时，他还主编了《感动中国文化人物》等书籍，进一步传播了中国文化的魅力。

骆公久的书法作品被广泛收录于各类典籍和展览中。他的作品不仅被中国国家博物馆收藏，还参加了2023奥艺大会线上三维艺术展等重要展览。这些作品的展示，不仅让更多的观众领略到了他的艺术风采，也为中国书法艺术的传承和发展做出了贡献。

在艺术交流方面，骆公久同样活跃。他与沈鹏、苏士澍、孙晓云等书法名家以及黄永玉、范迪安、何家英等著名画家有着密切的交流和合作。这些交流和合作，不仅丰富了他的艺术视野，也为他提供了更多的创作灵感。

骆公久的书法艺术，正如中书协主席苏士澍先生所评价的那样，“是摒弃前路，踏出新道”。他的作品既继承了传统书法的精髓，又融入了现代艺术的元素，展现出一种独特的艺术风格和审美追求。这种风格和追求，不仅为中国书法艺术的发展开辟了新的道路，也为广大书法爱好者提供了宝贵的学习资源。

总之，骆公久的书法艺术成就斐然，他的作品不仅具有深厚的传统底蕴，又不失个性表达和创新精神。他的艺术风格和审美追求，为中国书法艺术的发展做出了重要贡献。相信在未来，他将继续在书法艺术的道路上探索前行，为中国书法艺术的繁荣和发展贡献更多的力量。

Master Luo Gongjiu's works on calligraphy methods

Text/Luo Che

Lu Gongjiu has been studying poetry, books, and ink since childhood. His journey in calligraphy art began with the imitation of Liu Gongan, followed by extensive exploration of Tang-style regular script masters such as Yan Zhenqing and Ouyang Xun, and further in-depth study of Weii, Han Li, Jin Wen, oracle bones, and Han bamboo slips, eventually developing a particular fondness for the calligraphy style of the Eight Eccent of Yangzhou. This diversified choice of models has laid a solid traditional foundation for his calligraphy, making his works both classically elegant and uniquely expressive.

terms of lineage, Lu Gongjiu has been taught by famous calligraphers such as Luo Jizu, Wang Yicheng, Zhou Xifei Lin Kesheng, Gan Yuchun, and Xu Benyi, and the guidance of these masters has undoubtedly played a crucial role in his artistic growth. In 185, he systematically studied the aesthetics of calligraphy by Ouyang Zhongshi, further deepening his understanding of calligraphy theory; in 193, he entered the Advanced Training Class of the Chinese Calligraphers Association, marking a new height in his calligraphy art.

Lu Gongji's calligraphy style can be described as "integrating the past and present, forming a unique school." In his works, there is a profound grasp of the of traditional calligraphy, as well as the integration of his unique artistic views. In terms of brushwork, he is adept at using the transition between the middle and strokes, making the lines both vigorous and elastic. This application of brushwork gives his works a dynamic beauty visually, as if each stroke contains the rhythm of life.

In terms structure, Lu Gongjiu's calligraphy works show a unique sense of balance. He skillfully handles the relationship between characters and lines, making the whole work and orderly without losing flexibility. This structural treatment reflects his deep understanding of the formal beauty of calligraphy and his precise control of spatial layout.

In the use ink, Lu Gongjiu also excels. He is good at creating a sense of depth and three-dimensional effect in his works through the changes of ink density, dry, and wetness. This use of ink not only enhances the visual impact of the work but also endows it with emotion and vitality.

Lu Gongjius calligraphy works, whether regular script, running script, or cursive script, all show a unique artistic charm. His regular script works have clear strokes and rigorous, revealing a solemn and majestic beauty; his running script works are smooth and natural, full of dynamics, showing a free and easy artistic realm; his cursive script are even more unrestrained and unbridled, with the brushwork resembling a dragon or a snake, bringing the free spirit of calligraphy to the extreme

The artistic achievements of Luo Gongjiu's calligraphy have been widely recognized by all of society. He has not only been awarded the titles of First-Class Calligrapher by the China Federation of Literary and Art Circles and the China Calligrap Association, and a member and director of the China Calligraphers Association, but has also been awarded the certificate of "National First-Class Calligrapher Qualification License the People's Republic of China" by the China Federation of Literary and Art Circles and the National Professional Title Review Committee. In addition, he also serves as the Chairman the Art Committee of the China Cultural Society, a visiting professor at the Central Academy of Fine Arts, and a doctoral supervisor at the Oxford Academy of Art, among other positions. honors and titles are undoubtedly affirmations of his artistic achievements and academic status.

In terms of art appreciation, Luo Gongjiu also excels. He has been as an art mentor by China Central Television, the chief art appraiser of the Cultural Powerful Nation column, and the Vice Chairman of the Asian Calligraphers and Painters, among other positions. These positions have given him the opportunity to share his artistic insights and appreciation experience with more people. At the same time, he also edited books such as "oving Chinese Cultural Figures," further spreading the charm of Chinese culture.

Luo Gongjiu's calligraphy works have been widely collected in various anth and exhibitions. His works have not only been collected by the National Museum of China but have also participated in important exhibitions such as the 2023 Olympic Art Online 3 Art Exhibition. The display of these works not only allows more audiences to appreciate his artistic charm but also contributes to the inheritance and development of Chinese calligraphy art.

In terms of art exchange, Luo Gongjiu is also active. He has close exchanges and cooperation with famous calligraphers such as Shen Peng, Suuxin, and Sun Xiaoyun, as well as famous painters such as Huang Yongyu, Fan Dian, and He Jiaing. These exchanges and cooperation only enrich his artistic horizons but also provide him with more creative inspiration.

Luo Gongjiu's calligraphy art, as commented by Mr. Suuxin, Chairman of the China Calligraphers Association, "is to abandon the previous path and create a new one." His works not only inherit the essence of traditionaligraphy but also integrate elements of modern art, showing a unique artistic style and aesthetic pursuit. This style and pursuit not only open up new paths for the development of Chinese callraphy art but also provide valuable learning resources for the majority of calligraphy lovers.

In conclusion, Luo Gongjiu's achievements in calligy art are outstanding. His works not only have profound traditional roots but also do not lack personal expression and innovative spirit. His artistic style and aesthetic pursuit have made important contributions to development of Chinese calligraphy art. It is believed that in the future, he will continue to explore and move forward on the road of calligraphy art, contributing to the prosperity and development of Chinese calligraphy art.