黄卓「遇见故宫」摄影艺术个人展览，明日开展！

更新时间：2026-01-16 17:21  浏览量：1

对艺术家黄卓而言，摄影从不是简单的“瞬间捕捉”或“光影猎奇”。若见过她本人，很难将眼前温润的身影，与那个背负沉重器材、总在故宫开馆时第一个奔入晨光的“追光者”重叠——她在红墙金瓦间反复跋涉，只为捕捉宫殿在某个刹那“活过来”的姿态，乐此不疲，如匠人雕琢时光。

正因这份执着，我们得以看见她镜头下的故宫：那些影像自带一种流动的韵律，飞檐的弧度似乐句的起伏，斗拱的排比如和弦的叠加，连宫墙的斑驳肌理都像褪色的五线谱。这或许源于她骨子里的音乐家基因——当快门按下，镜头便成了指挥棒，将六百年的宫阙化作一首无声的交响乐，让建筑的“呼吸”在画面中流淌。

这场“故宫影像盛宴” 落地福州香格里拉八匚汇，展示时间2026.1.2-3.31——我们灰度影像以最精良的输出工艺还原光影的细腻层次，用沉浸式展陈布局延伸镜头外的想象。若你愿赴这场约，或许会发现：原来故宫可以这样“被听见”，历史可以这样“被触摸”，而艺术，本就是一场光影与旋律的共舞。

黄卓

艺术家简介

中国东方演艺集团国家一级演员

中国音乐家协会会员

著名女高音歌唱家

中国女摄影家协会会员

中国摄影著作权协会会员

艺术家黄卓镜头里的紫禁城

The Forbidden City in the Lens of Artist Huang Zhuo

故宫，不仅是一座宫殿，更是一部立体的史书。当摄影镜头对准它的梁枋、鸱吻、丹陛，我们看到的不仅是“宏伟”，更是无数匠人智慧的结晶，是王朝更迭中不变的文化基因。

The Forbidden City is not just a palace, but a three-dimensional history book. When the camera lens focuses on its beams, chīwěn (ornamental ridge ends), and red steps, what we see is not only "grandeur" but also the crystallization of countless craftsmen's wisdom, the unaltered cultural gene through dynastic changes.

这场名为"遇见故宫"的影像展 我们遴选了百余幅作品，试图通过艺术家黄卓的视角，让红墙黄瓦间的岁月褶皱、斗拱飞檐里的营造智慧、光影流转中的人文温度，在方寸相纸上苏醒。

This exhibition, titled "Encountering the Forbidden City," has selected over a hundred works to attempt, through the perspective of artist Huang Zhuo, to awaken the folds of time between the red walls and yellow tiles, the architectural wisdom in the dougong (bracket sets) and flying eaves, and the human warmth in the play of light and shadow, on the small frame of photographic paper.

或许，从未有人想过，能在故宫的影像里，听见声音。

Perhaps no one has ever imagined hearing sounds in the images of the Forbidden City.

那是一种沉静的响动，在凝视的深处嗡鸣。执镜者黄卓，曾是一位立于聚光灯下的歌唱家。当声带的震颤化为快门的轻响，旋律的起伏融入构图的韵律，她便不再只是“看”一座宫殿，而是在“聆听”它，用镜头为六百年的岁月混响定调。

It is a quiet resonance, humming in the depths of the gaze. Huang Zhuo, the photographer, was once a singer who stood under the spotlight. When the vibrations of her vocal cords became the soft clicks of the shutter, and the rise and fall of melodies merged with the rhythm of composition, she no longer just "saw" a palace but "listened" to it, using her lens to set the tone for the reverberations of six hundred years.

从舞台到宫墙，她带来的不仅是视角的转换，更是一种感官的迁徙——将对韵律、气息与结构的深刻理解，沉淀为全新的视觉语法。

From the stage to the palace walls, she brings not only a shift in perspective but also a migration of the senses—transforming her profound understanding of rhythm, breath, and structure into a new visual language.

宫阙千秋，秩序如静止的和声

The palace endures through a thousand autumns, its order like a stilled harmony

在艺术家黄卓的眼中，层层递进的门廊与殿宇，在空间中铺陈开严谨的复调。然而，在那近乎绝对的几何规整里，她总能寻到一丝灵动的呼吸：一扇虚掩的朱门截取天光一线，一道蜿蜒的玉阶引人望向深远。宫墙中心侧立的伶人，那明黄水袖与半掩折扇，宛若她刻意安排的装饰音，以鲜活的生命气息，巧妙点破了对称可能带来的板滞。秩序于此，在她镜头下不再是冰冷的框架，而成为一种可供呼吸、充满内在张力的生命结构。

In the eyes of artist Huang Zhuo, the layered corridors and halls unfold in space like a rigorous polyphony. Yet, within this near-absolute geometric order, she always finds a touch of fluid breath: a vermilion door slightly ajar, catching a sliver of light; a winding jade staircase leading the gaze into the distance. At the heart of the palace walls, a performer stands to the side, their bright yellow sleeves and half-folded fan like a deliberate decorative note—a burst of vivid life that artfully breaks the potential stiffness of symmetry. Here, order is no longer a cold framework in her lens, but a living structure to breathe in, full of inner tension.

光影丹青，是色彩与光的咏叹

Light and Shadow, Ink and Color" is an ode to color and light

曾是歌唱家的黄卓，深谙气息如何塑造音色。于是她追逐光，如同追逐最飘忽又最本质的旋律。她让琉璃瓦的明黄在斜照下灼灼其华，也让殿前石狮在逆光中化为凝聚千钧的墨色剪影。棂花窗格是天然的取景框，将外面的世界裁剪成玲珑画幅；一池静水倒悬宫宇，虚实相生。她所捕捉的，是光与影在斗拱飞檐间碰撞、流淌而后消逝的瞬息痕迹，宛如一曲视觉的绝响。

Huang Zhuo, once a singer, deeply understands how breath shapes timbre. Thus, she chases light as if pursuing the most elusive yet essential melody. She lets the bright yellow glazed tiles shimmer under the oblique sunlight, while the stone lions in front of the hall are transformed into ink-black silhouettes of immense weight in backlight. The latticed windowpanes serve as natural viewfinders, framing the outside world into delicate paintings; a pool of still water inverts the palace, blending reality and illusion. What she captures are the fleeting traces of light and shadow colliding, flowing, and then vanishing between the dougong brackets and flying eaves—like a visual crescendo.

镜鉴古今，在圆融中凝视永恒

Mirroring the past and present, we gaze upon eternity in perfect harmony

当视觉从外在的恢弘转向内在的精微，一种工笔般的细腻便浮现出来。铜缸的斑驳、石雕的纹路、古木的皲裂，在圆形的画幅中被赋予可触摸的质感。圆，是她摒除纷扰的纯粹凝视，让物在时光中静默沉淀。这些影像如历史的切片，在她极致的聚焦中，反而获得了意境上的无限延展。

When vision shifts from the grandeur of the external to the intricacy of the internal, a meticulousness akin to gongbi painting emerges. The mottled texture of bronze vats, the carved patterns of stone sculptures, and the cracks of ancient wood gain a tactile quality within the circular frame. The circle is her purest gaze, filtering out distractions and allowing objects to silently settle in time. These images, like slices of history, paradoxically achieve infinite extension in their extreme focus.

流动的时光轨迹，显影为黑白的诗行

The flowing traces of time develop into monochrome poetry

抽离色彩，万物归于黑白灰的纯粹。光化为刻刀，它化为纤细的丝线，沿着巍峨屋脊“流”过；它聚成朦胧的光晕，让沉重的石础仿佛在空气中消融。此刻，所见已非“物”，而是“时光”行走的轨迹与速度，是建筑灵魂在漫长时间尺度上投下的、不断变形却又永恒存在的透明刻度。

Stripped of color, all things return to the purity of black, white, and gray. Light becomes a carving knife, turning into delicate threads that "flow" along the majestic ridges; it gathers into a hazy glow, making the heavy stone bases seem to dissolve in the air. At this moment, what is seen is no longer "objects" but the trajectory and speed of "time" in motion, the transparent scale cast by the soul of the architecture—constantly deforming yet eternally present—across the vast expanse of time.

而一切，终将归于凝固的史诗——那雪落紫禁的静默时刻

And all will ultimately return to the frozen epic—the silent moment when snow falls upon the Forbidden City

素白覆盖所有绚烂，只余建筑的骨架与气韵。在黄卓的等待与捕捉下，一抹朱红在皑皑白雪中沉静地定格，明黄的檐角从纯净的背景中勾勒出醒目的轮廓。纷繁的色彩在雪的统摄下显得纯净而和谐，红、黄、白交织成庄严而温润的视觉交响。此刻，具体的朝代往事悄然隐退，天地间只留下这片色彩分明、关于秩序与永恒的纯粹谛听。

The pure white veils all splendor, leaving only the skeleton and spirit of the architecture. Under Huang Zhuo’s waiting and capture, a touch of vermilion quietly crystallizes in the snow, while the bright yellow eaves stand out sharply against the pristine backdrop. Under the dominion of the snow, the myriad colors appear pure and harmonious—red, yellow, and white intertwine into a solemn yet warm visual symphony. At this moment, the specific memories of dynasties quietly recede, leaving only this world of clearly defined colors, a pure listening to order and eternity.

最终，这场视觉的邀约，成就了一次心灵的共振。透过歌唱家黄卓深邃而独特的镜头，紫禁城未被言说的韵律浮现眼前：飞檐划出的弧线是它的音高，影子的伸缩是它的节奏，空间的明暗是它的和声。当快门落下，古老殿宇与当代凝视，完成了一次超越时间的、寂静而恢弘的唱和。

In the end, this visual invitation culminates in a resonance of the soul. Through the profound and unique lens of singer Huang Zhuo, the unspoken rhythm of the Forbidden City comes into view: the arc of the flying eaves is its pitch, the extension of shadows its rhythm, and the interplay of light and dark its harmony. As the shutter falls, the ancient halls and contemporary gaze engage in a silent yet grand dialogue that transcends time.

展览现场照片

灰度影像策展团队奋战到凌晨4点只为呈现最好效果

展览时间：2026/01/02-2026/03/31

展览地址：福州市鼓楼区新权南路9号-香格里拉八匚汇L139-L141铺

主办单位丨灰度影像文化传播有限公司

摄影丨黄卓

福州灰度文化传播有限公司

灰度影像的命名以摄影测光“18%灰”为灵感，寓于坚守初心，以“热爱摄影、分享摄影 ”为宗旨。团队里聚集一群专业院校从事摄影、摄像、设计专业的人才。擅长后期制作、图片编辑、影赛代理、画册制作等影像服务，帮助众多影友加入中国摄影家协会、美国PSA摄影协会、英国皇家摄影协会等，现有会员中，除中国大陆外，北美、欧洲、大洋洲和港澳台的华人会员占了一半。我们坚持在自己熟悉领域发光发热，服务好每一位需要我们的影友。